Art Print Framing
In my opinion, a frame (and whether or not a piece is framed) can make or break a work of art. Due to the delicate nature of the mediums I use, I never release original works without framing which requires me to consider the frame from the very beginning of each piece.
A frame should effectively support the art — original or reproduction — both physically and aesthetically. It should be in proportion with intentional matting as needed. And its finish should compliment rather than compete with.
As a designer, clients often became overwhelmed when it came to framing artwork for their spaces, by the options and by the cost, leading them to take a cheaper route and therefore compromising the overall quality of the piece, or opting out of displaying (or even purchasing) the artwork altogether.
As an artist, I want to relieve buyers of the endless framing options and provide them with a thoughtfully finished and ready-to-hang piece while ensuring my artwork is and artistic brand is best represented.
Here are my tips for framing my archival art prints…
Stick with a minimal style frame in a natural or neutral finish (not too yellow or red), or a black or bronze finish.
Frames with slender profiles will elegantly support the artwork without stealing its thunder.
Off-white, linen, or other neutral color mats will best compliment the artwork. Lighter mats will pair nicely with lighter and darker frames. Darker mats will pair best with darker frames. Avoid using color mats altogether for my current body of work.
For custom framing, I lean on local fabricators Blackbird Framing and Frugal Framers in Asheville. Another great custom option is made-to-order site FrameItEasy who have quality options at more affordable prices and prioritize sustainable practices.
For ready-to-hang frames, here’s a list of some of my favorite framing supplies that I’m constantly updating!
In Dreams, No. I Archival Art Print with deckled edge by Linsey Gray Puckett framed and mounted above a sofa in a moody living space.